#Taal movie instrumental music series
In the sixth and final episode of our series on Kaharvaa, we listen to a few dhuns that are set to this taal. Perhaps, the absence of words in instrumental renditions poses a challenge for the kind of melodic elaboration heard in thumri recitals, and the dhuns therefore follow the dadra framework. Thus, dhuns are closer to dadras, which are normally in Kaharvaa and Dadra and are often faster-paced than thumris. This is unlike thumris, which are normally heard at slow pace in Deepchandi or the 16-matra Jat. Bollywood Evergreen Hindi Songs Instrumental Music Hindi Instrumental Songs Audio Jukebox - IndianMusicPlease Subscribe My Channel for more videosMy Ch. More often than not, instrumentalists prefer to set their dhuns to Kaharvaa or the six-matra Dadra or even to a faster-paced 14-matra Deepchandi. In either case, performers follow the melodic flexibility that is very much a part of thumri and dadra renditions, in that they may choose to move from the original raag to another.īut renditions of dhuns and thumris differ in the choice of taals. In some cases, instrumentalists borrow the actual melody of established thumris or dadras, but there are others who prefer to compose their own melodies in raags that are conventionally used for these forms. Broadly speaking, a dhun is an instrumental interpretation of the thumri or dadra forms that exist in the Hindustani vocal music repertoire. The ubiquitous Kaharvaa, a time-cycle consisting of eight matras or time-units, is not just heard in vocal recitals but is also used to accompany instrumental renditions of dhun (literally melody or tune).
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#Taal movie instrumental music download
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